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	<title>yanranbi</title>
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	<pubDate>Mon, 22 Nov 2021 08:34:08 +0000</pubDate>
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		<title>Front Page</title>
				
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		<pubDate>Mon, 22 Nov 2021 08:34:08 +0000</pubDate>

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Rainy
 season arrives as soon as the summer begins in Shanghai. For some 
reasons, I rarely remember to bring an umbrella with me. I have a lot of
 umbrellas, most of them are transparent ones bought at subway stations.
 When it suddenly starts pouring rain, umbrella vendors in Shanghai 
gather at each crowded exit of the subway stations to sell umbrellas to 
people like me. The cheapest umbrellas they have are always the 
transparent ones. The whole city is turned upside down by the rain with 
its reflections on every street. Then a transparent umbrella opens up, 
then another, leaving the station, and disappearing around the streets 
corners, like a group of jellyfish wandering through the damp city, a 
parallel ocean where we reside.

I trust my 
instinct to encounter my surroundings, exploring the textures and untranslatable subtleties that anchor us to the environment. These are 
usually not scientific but rather dialogic. Being present and honest to a specific moment and space is thus crucial. Interpretation is more important to me than intention. This probably is the reason why I find it very hard to describe 
those Work. I have used vague descriptions like “something tender”, 
“feeling of a hug” and “I want people to lie down” when being asked 
about what I want to achieve with these works, be it an installation, a 
sound piece or any form that feels the most relevant to Me. They are my supplementary language, my second voice.
Talk soon.

	

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